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| M. Kilburg Reedy |
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| Partner |
mkreedy@cdas.com |
| Admitted: New York |
| M. Kilburg Reedy is a transactional attorney who practices in all aspects of general entertainment law and intellectual property, including film, television, music, copyright, trademark, and publishing, with a focus on theater-related transactions and financing. She began her entertainment law practice in 1995 at the law firms of Frankfurt, Kurnit, Klein & Selz and Leavy Rosensweig & Hyman. From 2000 to 2005, she served as Director of Business and Legal Affairs for Eric Krebs Productions, Inc., where she acted as production counsel for over a dozen theatrical productions both on Broadway and Off-Broadway, and continued to represent clients in all areas of entertainment law as a solo practitioner. She joined Cowan, DeBaets, Abrahams & Sheppard in July 2006.
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Broadway legal work (for the production, producer, or rights holder) includes: Xanadu (for production and lead producer Rob Ahrens); A Tale of Two Cities (production counsel); The Lieutenant of Inishmore (production counsel); Bill Maher: Victory Begins At Home; Electra with Zoë Wanamaker, and It Ain't Nothin' But The Blues (for production and lead producer Eric Krebs); Hairspray and Triumph of Love (for lead producer Margo Lion); The Color Purple (for underlying rights holder Warner Bros.); Chicago (for production and lead producers Barry and Fran Weissler). |
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Off-Broadway and regional legal work (for the production, producer, or rights holder) includes: Love Child (for producer Martin Hummel); According to Tip (for producers Paul T. Boghosian and Richard Flavin); Blood Type: Ragu (for production and producer Andrew G. Levine); Toxic Audio, Rounding Third, and Langston Hughes's Little Ham (for production and lead producer Eric Krebs); Visiting Mr. Green (for playwright Jeff Baron). |
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Legal counsel to individual creative artists including: songwriters Robert B. and Richard M. Sherman (Mary Poppins, Chitty Chitty Bang Bang, “It’s A Small World”); The Estate of Spalding Gray (Leftover Stories To Tell); playwright Matthew Burnett (Theophilus North); composer/lyricist/performer Mala Waldron; opera composer/librettist Paula Kimper (Patience and Sarah, The Bridge of San Luis Rey); composer/lyricist Michael Roberts (Golf: The Musical; The Fartiste); playwright Marsha Sheiness; composer/lyricist/bookwriter Adam Overett (Call It Courage). |
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Legal consultant to various not-for-profit theater companies, including Keen Company and Amas Musical Theatre. |
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Film and Television work includes acting as counsel to Brush With Life: Passport & Palette (American Public Television, 2009); and Let’s Talk About Sex (production counsel for documentary film to be released in 2009). |
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Associate Member, League of American Theaters and Producers. |
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Associate Member, The Dramatists Guild of America. |
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B.A., University of Minnesota College of Liberal Arts (Minneapolis), 1979. |
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J.D., Columbia University School of Law, 1992 (Harlan Fiske Stone Scholar). |
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