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| M. Kilburg Reedy |
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| Associate |
mkreedy@cdas.com |
| Admitted: New York |
| M. Kilburg Reedy is a transactional attorney who practices in all aspects of general entertainment law and intellectual property, including publishing, film, television, copyright, trademark, and music, with a focus on theater-related transactions and financing. She began her entertainment law practice in 1995 at the law firms of Frankfurt, Kurnit, Klein & Selz and Leavy Rosensweig & Hyman. From 2000 to 2005, she served as Director of Business and Legal Affairs for Eric Krebs Productions, Inc., where she acted as production counsel for over a dozen theatrical productions both on Broadway and Off-Broadway, and continued to represent clients in all areas of entertainment law as a solo practitioner. She joined Cowan, DeBaets, Abrahams & Sheppard in July 2006.
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Broadway legal work (for the production, producer, or rights holder) includes: Hairspray and Triumph of Love (for lead producer Margo Lion); The Color Purple (for underlying rights holder Warner Bros.); Chicago (for production and lead producers Barry and Fran Weissler, Broadway and national and international tours); Bill Maher: Victory Begins At Home (for production and lead producer Eric Krebs); Electra with Zoë Wanamaker, and It Ain't Nothin' But The Blues (for production and producers Elizabeth Williams, Anita Waxman, Eric Krebs, and Dr. Lawrence Horowitz); and Paul Simon's Capeman. |
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Off-Broadway legal work (for the production, producer, or rights holder) includes: Toxic Audio, Rounding Third, Langston Hughes's Little Ham, Tallulah Hallelujah! (with Tovah Feldshuh), and The Big Bang (for production and lead producer Eric Krebs); Visiting Mr. Green (for playwright Jeff Baron); The Donkey Show (for production and lead producer Jordan Roth); An Empty Plate in the Café du Grande Boeuf and Beautiful Thing (for production and lead producer Roy Gabay); and Snakebit, Danny and Faye, and De La Guarda (for producer Daryl Roth). |
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Legal counsel to individual creative artists including: playwright Matthew Burnett (Theophilus North); opera composer/librettist Paula Kimper (Patience and Sarah, The Captivation of Eunice, The Bridge of San Luis Rey); playwright/composer Michael Roberts (Golf: The Musical; The Fartiste). |
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Legal consultant to various not-for-profit theater companies, including Keen Company and Amas Musical Theatre. |
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Has lectured on theater law for Commercial Theater Institute (New York City); and on legal issues for creative writers for Wilkes University (Wilkes-Barre, PA). |
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Associate Member, League of American Theaters and Producers. |
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Associate Member, The Dramatists Guild of America. |
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B.A., University of Minnesota College of Liberal Arts (Minneapolis), 1979. |
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J.D., Columbia University School of Law, 1992 (Harlan Fiske Stone Scholar). |
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